Dawn view from the mountainside above San Martin de los Piramides, Mexico, 2006. Photo by author.

Each place is a step along the winding path that has brought me here to this hovel in the countryside, a widow twice over, the mother of grown children, step mother to those who would still have me after the last husband passed away. And grandmother to those I can still hug in person or across the miles through the miracle of FaceTime.

Each place still hangs with me, its whispering wisdom, magic, and spirit, for me to carry to the next stop along my way, though that path is still left to be charted.

I feel the intensity of my grandmother’s journey from Russia through Europe, to Cuba, waiting to get into the US, mourning her little’s brother’s death during their travels with her mother, yet trying to find her own identity as a youth in a foreign land, only to later learn their father was gone, too.

They betray the loss… of old ways, of deep knowledge.
Such Olmec wisdom of ancestors on full display,
yet we still think we’re so smart.

I feel the wind against my cheek on a cool Mexican morning, sunrise over the mountainside at 10,000 feet, shadowing my back, letting sun rays drift across the pyramids below. They betray the loss… of old ways, of deep knowledge. Such Olmec wisdom of ancestors on full display, yet we still think we’re so smart.

I feel the salt spray on my face as the boat takes the waves through the channel in the Fiji islands, the ripples and splashes concealing the beautiful corals and tropical fish that dance and sway in the currents below. I join their steely giant cohabitant as it slowly tilts its hammerhead eyes towards me. I let myself sink to the sandy bottom.

I feel the sun’s warmth on my cheeks on a cool Michigan fall day, the flickering lights making colorful autumn leaves shine like jewels against the stark blue skies, belying the hints of winter to come. The old post and beam workshop behind me is wrapped in grapevines, providing shade to my printing presses inside, awaiting my touch to create anew.

I carry all of these feels with me, their memories, the learned wisdom, worn around my heart like jeweled beads of wisdom. I carry it all, sharing with willing souls, and learning from beloved travelers who I meet along the way, as I remake this home anew.

– Mara Jevera Fulmer, February 10, 2026

Backyard view, Fall sunset in Michigan. Photo by author.

The above prose was expanded from a short writing exercise during a six-week workshop offered by @LauraLentzWriter and her Literati Academy. The writers participating in this series are exploring their way through grief and the hero’s journey.

Heavy leather belts begin to turn the wheels of the giant Columbia oscillating sander. Photo by author.

He was bobbing around laughing and smiling, his broad chested yet smallish stature accentuated by the 23,000 lbs of 19th century iron machinery that he was tweaking here and there to coax it back to life. It came from an era when the railroad industry was at its height, three drums of varying sandpaper oscillating to prepare the wood, and a fourth drum covered in brushes to clean it off and ready to use.

I sat there watching him, though surreptitiously as I was supposed to be doing my homework for my doctoral program. My books and iPad were perched upon the hand-built wooden table saw that the original owner of this post & beam furniture factory had built for himself complete with little victorian flourishes of details in the handles and guards.

But I just couldn’t help trying to keep track of my new beau Steve’s efforts as he climbed up on top of the giant Columbia sanding machine. Then he would hop down again to check the webbing of more large leather belts and their matching steel pulleys that would have made the machine turn its wheels back in the days of steam power.

I remembered when my husband Keith and I first bought this property, not even two years before. We bought it at first sight, a 20th Century post and beam building filled with many pieces of 19th and early 20th century heavy machinery all used to make furniture. An accomplished woodworker himself, Keith had planned to make it all his. Alas, the stars were aligned differently and he passed away from a very aggressive cancer barely a year after we purchased it leaving me, his widow, to sort out what to do with it all.

And then the stars sent Steve. I think KEITH sent Steve, perhaps after being horrified at my poor attempts to try and sell some of the tools I knew I would never use, but that had left me grifted by his own friend. Steve would become my protector. But perhaps in this case it was not that he had fallen in love only with me, I wondered sometimes. It was this place, where it seemed that many ghosts had congregated to protect the legacy of this old maker space.

I looked up and there was Steve, dancing around the machine grinning from ear to ear.

As I tried to go back to my homework on my table-saw desk, I heard the roar and rattle as the beast came to life. Keith had tried to do this before, but the belts were too loose and fell off within seconds. He never had the chance to go back and try again before his illness had progressed too far.

I looked up and there was Steve, dancing around the machine grinning from ear to ear. As I watched this elfish man jump around this iron giant, he went to one end of the machine where large wood panels would come out, fully sanded and brushed off, ready to use for railroad cars. I snapped a picture of him with the light behind him.

The ghosts that haunt me now. Photo by author.

Later that day I would look again at this photo only to catch my breath. There it was, a ghostly shadow of a slim man leaning over just behind Steve. Keith was there, cheering for the success of this rebirth of this giant, perhaps the last operational Columbia belt-driven panel sander left in the country I’d discovered after further research. I took this rebirthing as a sign that I should never take for granted that I am ever alone on this path. And to accept that my angels are never very far from me, despite the temptation to succumb to sadness. That death of my loved one is not an ending. But a new beginning.

– Mara Jevera Fulmer, February 18, 2026


The “K” at the end of the line. Photo by author.

The above prose was expanded from a 13-minute writing exercise during a six-week workshop offered by @LauraLentzWriter and her Literati Academy. The writers participating in this series are exploring their way through grief and the hero’s journey.

Michigan fall sunset view from my back porch.

I thought I would break.

We’d just begun a new chapter of being just the two of us again, children grown, new challenges and opportunities… after 34 years together, like young newlyweds, the world would be our oyster again hiding the pearl we knew would glimmer and shine its lustrous colors upon us. I’d rushed back from an overseas trip only to find myself now in charge of your healthcare.

And then you were gone.

So abrupt, from diagnosis to death in less than three months.

Crushed, angry, resentful for you having left me right when the adventures were getting even more interesting than the 30+ years before!

I restarted my studies, knowing that if I just immersed myself in the work I could hide away from my grief, ignore the wound in my heart. But by Christmas, I sat crying on the side of the bed…

I just. want. a hug.

I’d tried a dance class, a restorative process where I could lose myself in the movements, and connect to my grandmother, a dancer in her own day. You never wanted to dance with me… though there was that one last time. But still, the movements and the music began to heal me.

I don’t bite except on Tuesdays and Thursdays.

The dreams were so vivid that I looked forward to your visits. But the loneliness wouldn’t go away. Perhaps, if only there was someone, not one of our children, or friends, or anyone who knew you. Someone I could talk to who didn’t have your ghost to guide the conversations.

And then he reached out and I ignored him. Each week he’d check in. “I don’t bite except on Tuesdays and Thursdays,” he wrote. And I finally couldn’t stifle the laugh. The nerve, I thought. So we wrote to each other, first just a couple of times a week, then every day, and then we’d talk all night.

“I wish I could dance with you, ya know,” he wrote offering to join me in a dance class when he visited. It became our connection. He was awful at it, and I loved him for it anyway.

As we shared our stories with each other I realized it wasn’t just my tears that were falling for the one I’d lost. He cried for it, too, a life of wonder and adventure that he hoped to build with me.

And then… we did.


The above prose was written as part of a 13-minute writing exercise during a six-week workshop offered by @LauraLentzWriter and her Literati Academy. The writers participating in this series are exploring their way through grief and the hero’s journey.

Happy times. Me and Steven were wandering the wineries of the Mission Peninsula in Traverse City. June 2019

Before grief, I spoke the language of we. What were we doing today? Even if we were working separately our days rotated around each other like two stars in synchronous orbits, each shining our light upon the other with love and kindness. 

Before grief, I still grieved for my first love. But you stepped into my life, two roses in hand, with a smile so bright it still makes me laugh when I think of it… Memories can be both healing and hurtful in their teasing. But I’d rather the smile, than the tears.

It was always like that with us, my sesame chicken to your homey meatloaf. The doctor and the hillbilly, the designer and the maker. We were in sync in this third chapter of our lives and I was looking forward to a long one together. But it wasn’t meant to be, I guess. The dogs sleeping on your side of the bed has a way of reminding me of that.

So now I speak of possibilities, though I am charting a new path without a roadmap to guide me. No late night nudges to ask you “Is this possible?” And for you to answer me “of course it is!” I miss that. But grief can’t take away my dreams, not completely anyway. They have shifted, adapted, and are still remolding themselves.

[A]fter grief, I’m learning to believe in myself again.

I’ve been through this before. And I know that it can only lead to something bigger than myself. That my life is not just a big empty house in a forest filled with darkness.

After grief, I’m learning anew. You always knew that I was a lifelong learner. Back to school again and again and again. But now it’s not what I know or who I love that matters. It’s what I believe. And after grief, I’m learning to believe in myself again. To apply the lessons of the before-times to a party of one with room to invite fellow believers.

That’s harder than it sounds. But I’m working on it.


The above prose was written as part of a 13-minute writing exercise during a six-week workshop offered by @LauraLentzWriter and her Literati Academy. The writers participating in this series are exploring their way through grief and the hero’s journey.

Written on Tuesday, 7/31/18

I try to focus on the work at hand as we prepare the old house for sale. Even though lots of memories are evoked as we go, and Steven tackles the difficult challenges of finishing Keith’s unfinished house projects, going through collections of “stuff” inside the house, the workshop, the basement, and all around outside, I feel incredibly blessed. Although it’s taken longer, Steve’s workmanship shows and I know it’s a matter of pride – and love – in his mind, and I am forever grateful to this wonderful man who has taken on so much. To live in the shadow of Keith’s spirit can be a challenge. But today I think I found a sign that Keith was pleased.

Dane and I moved a very large 10-drawer flat file into the garage today. Drawer by drawer. Most were empty already but several were full and it was kind of a pain. But we got all the drawers moved and prepared to move the cabinet that held them. I looked back to the empty steel cabinet and there was some stuff still there, curled up against the back. A few pieces of Stassia’s, a few pieces of mine. But there was this one big piece still curled up against the back wall. I pulled it out and there it was – an impromptu angel made from overspray from a project Keith did many years ago. And in the corner, he’d painted his initials “KF” to ensure there was no doubt. Among the last pieces of family “art” to get moved out of the house. Finding it today felt like a special sign, a message of love from the spirit of Keith.

 

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Spraypaint art made by Keith when he was working with Stassia on a costume. He liked the angel he recognized and signed it in the corner. I’d completely forgotten about this until my daughter reminded me.