A first proof of a project on the Poco No. 0 press rescued from the trash.

I can get lost in the type. Surrounded by drawers and drawers of letterpress type, metal, wood, very large to very small. It feels comforting to be around, like visiting long lost friends. And I get to spend some time nearly every day just hanging out with my type friends getting to know them better.

It feels comforting to be around, like visiting long lost friends.

My thoughts wander as I look at the individual letters that once made up a story. It’s like they’re destined to be reborn, found again to make a new story. But for now, the pile of type is pied, jumbled. And I wonder about that word – pied. Did that mean that the Pied Piper of Hamelin was “jumbled” too? Turns out “no,” not exactly.

In the story, however, the Pied Piper wore a very colorful costume and pied was referring to the multiple colors. But I like the idea that perhaps he was a bit “colorful” in his thinking, too. As in the stories lost in the pile of pied, aka jumbled, type. And here I was, playing the role of the Printer’s Devil, sorting through the pile of tiny pieces of type, first by size, and then by typefaces, with some of the metal type tossed into the hell box for melting if too rough a condition to use. Once the second round of sorting is done, then finding a home for the more complete sets of type will be necessary. And that job usually comes with having to clean and probably restore the warped bottom of one of the last drawers still available to fill.

Could they have been the whispered prayers of a grieving soul? Might the words they make be the silent voice of strength in the face of adversity?

What some may see as tedium, I find meditative. As each tiny letter appears before me, I admire the details, the design decisions made in their creation, the changes from one letter to the next in different typefaces, even among the same size. This afternoon it was 6 point to 18 point type. The majority was at the smallest size and fascinated me with the differing heights and widths of the capital letters from different typefaces even as they measured the same physical size.

I wondered… what could have been written with these tiny letters? Was it the fine print of a contract? Could they have been the whispered prayers of a grieving soul? Might the words they make be the silent voice of strength in the face of adversity? These thoughts wander through my mind like wisps of smoke as I pick up small handfuls of the pied type, blowing off the dusty fragments of nesting material from mice who’d made their way into the typecases in an abandoned printshop long before the cases made their way here, to my little corner of letterpress heaven.

A small batch of pied type ready to be sorted. Previously, I had sorted through bags of new type that had fallen from their original boxes.

The letterpress studio has been a longtime coming. I think about how it has been a whirlwind of activity ever since early May when my younger daughter told me she was thinking about selling her Charles Brand etching press, the one that I bought her the Spring after her dad passed away. The seller was an old professor of hers in Ann Arbor and we’d settled on a price. But then a few days later he came back asking for more, apparently having gotten a higher offer. It was a poor business practice but I wanted her to have the press that would allow her to do what she’d been thriving with in college, and in her work for mentor Endi Paskovic, with woodcut printing.

The letterpress studio has been a longtime coming. I think about how it has been a whirlwind of activity ever since early May when my younger daughter told me she was thinking about selling her Charles Brand etching press, the one that I bought her the Spring after her dad passed away.

When we finally settled on a price and went to pick it up, with Steve’s help and that of several of my daughter’s friends, I stood with the seller and was chatting about printing and letterpress since we had printed my older daughter’s wedding invitations on our own little Kelsey 6×10. He pointed out the pieces to a printing press scattered across his garage floor, a very large 12×18 Chandler & Price platen press that he had brought from California long ago and now was doing a full restoration after his divorce. Do you want it? he asked. For free… since you were buying the other press, he said.

The 2500 lb. press made its way home, with lots of help and an extra trip to Ann Arbor since the combined weight with the Charles Brand would have been too much for the box trailer we were using. That was nearly 8 years ago. The C&P is still here… and so is my now husband, Steve who is more determined then ever to finish assembling the press, especially now that it has an honored place in the newly reorganized studio. Once the Charles Brand was set to sell, and my daughter’s flat files removed from precious floor space in the studio, things changed quickly.

A Vandercook #4 proofing press was in an estate sale south of us, an unusual opportunity that I couldn’t pass up. But a weekend before the sale started I called the estate sale manager to ask questions. After a little back and forth, he asked me to come down to look over the printing stuff to give him some advice since his own knowledge of it was far more limited than even my own.

We drove down in the pouring rain in the Tesla on Monday, driving dirt roads when I’d mistakenly thought it would be safer to stay off the highways. By the time we got there, nearly 2 hours later, we spent time going through everything, putting items that belonged together, describing the purpose of some of the items, and generally noting the condition of many of the pieces. I asked about the Vandercook’s sale price, and he said he’d asked an expert to provide an valuation. He said he was told it would be worth around $9-12,000. I laughed nervously saying that was too rich for my blood. But I left him with a lower offer I thought I could manage. Still he said no, that he was going to auction it off. We drove back in the rain, this time taking the highways and got home in less than an hour.

The next morning, after all the rain, Steve discovered quite a mess in the basement of the Gallery House, a building we renovated next door to use as an extra studio/gallery space. The sump pump had failed and there was now at least two inches of water throughout the basement. It was quite a chore to get a pump running in order to drain as much water as possible. Mopping up the mess that was left took care of most of the rest of the water.

After some reflection on needs vs dreams, I convinced myself that spending thousands on a printing press was just not going to happen and the money would be better spent cleaning out the mess at home.

Then there was the chore of emptying as much of the soaking wet boxes that had not been set up off the floor. There was also the stack of uprights for the custom cherry library from Dad’s office in Florida that my late husband Keith had made. In a rush to get them out of the garage, they had been put directly in the plastic that covered the pea rock of the Michigan basement. That meant the first three or four pieces – 12-15” wide by as much as 10’ high – were soaked, warped and water stained. As I looked around the mess, not knowing if it would dry out before getting moldy, I began to think I was going to have to spend a lot of money to hire someone to unload the mess from the basement. We were finding it too painful for two old people with bad backs working in the 4’10” Michigan basement. After some reflection on needs vs dreams, I convinced myself that spending thousands on a printing press was just not going to happen and the money would be better spent cleaning out the mess at home.

The following Sunday was the last day of the estate sale so I weakened and called to see what was left. The Vandercook was still there. But so was an 8×12 Chandler & Price platen press, almost identical to another one we had bought very cheap at an auction a couple years before. The one we had, however, was missing a gear and Steve was willing to make one. But here was a press we could strip for parts since we believed it was no good as a press, having become rusty from sitting under a leak in the basement under the front porch of the house.

Thinking we were going for parts, we headed down there with some tools to buy the press and take the gear with us, and perhaps buy a few other goodies that we might be able to use that were now selling cheap on the last day. Having failed at selling the Vandercook, the estate sale manager asked me if I was still interested and I explained that things had changed at home due to the basement flood and I could no longer afford my original offer. While we were disassembling the C&P, I overheard him talking to the family representative on the phone, telling her that “she wasn’t interested in the press anymore” which I took to believe that he had been depending on selling it to me to make up for the lack of a higher priced sale.

We headed home in the Tesla with a full carload of iron and various letterpress pieces parts and began making plans to come back later for the last pieces of the C&P.

As it turned out, Steve had forgotten to bring a Johnson pry bar to get apart the last pieces of the C&P. And the C&P itself turned out to be in much better condition than we’d thought, the rust turning out to be only superficial.

We were still there after 3 pm when the sale was supposed to end but weren’t able to get it apart. So I asked the estate sale manager if we could come back the following weekend to get it. “No problem. They’re not selling this place anytime soon.” And the Vandercook, along with everything that was still left, would be sold at auction using an app for the estate sales. So we headed home in the Tesla with a full carload of iron and various letterpress pieces parts and began making plans to come back later for the last pieces of the C&P.

A couple days later I got a text: “When you’re ready to pick up the rest of the press, text Janet” along with her number. I thought maybe Janet was his employee, but soon learned that she was the family member, and that she’d fired the estate sales guy. I called her the next day and also learned that he’d never told her we had already bought and paid for the C&P. She had started getting estimates for getting it removed (the platen alone weighed over 400 lbs.) by a guy who was going to torch it to cut it apart! In a room dripping with leaked oil and solvents!

Janet also told me that the Vandercook was still available and I could have it for a price that was far less than my original offer to the estate sales guy! Another Vandercook #4 had been in an online auction I was following that same week and my mind was blown as the price of that one soared to a final price of over $15,000.

Even so, I told her my concerns about having to pay a fortune for movers get it out of the basement. I knew, at over 1140 lbs, this was something far too big for the two of us to do on our own. We set a date to come back for the C&P and I said I’d let her know then. We went yet again, this time bringing the truck to pick up what was left of the C&P.

Our trip yielded many more items, and a new negotiation for the Vandercook, finally settling for a total price of under $1000 that included a bunch of other items big and small. Once again, we made plans for a return trip, this time with my favorite mover.

In the end, we brought home far more than I’d ever guessed. But the one thing was certain: Norman – the original owner of the press and builder of that home where it lived in its basement – wanted the press to go home with us. It cost me $1500 including a generous tip for the movers for the day. But they carried up the those basement stairs a lot more than that press, including the 400 lb. platen and frame for the C&P, a Hammond Glider Saw, another letterpress-specialty saw, a giant composing cabinet that had to be disassembled, several hundred pounds of metal “furniture” and leads, and miscellaneous stuff too numerous to remember.

It needs rollers and a bit more cleaning and adjusting, but the Vandercook No. 4 is settling into its new home very nicely.

I reflect upon these events as I sort through the bags of pied type, the case of dusty mouse-ridden type from earlier acquisitions, and the newly rearranged shop around me, light streaming in as the presses stand like soldiers waiting for orders.

  • The original restored Kelsey 6×10 – purchased by Keith to print wedding invitations for our oldest daughter. This one started it all.
  • The 12×18 C&P that was given to us when buying the etching press.
  • The Potter proofing press I bought at auction.
  • The Poco proofing press Steve found on FaceBook Marketplace that someone was going to throw away… picked up at the end of the driveway.
  • The 5×7 Kelsey that Steve bought me from a local auction as a present.
  • The 8×12 Oldstyle C&P that we bought at a small town auction which also came with a second much larger 12×18 C&P that we’ve since decided sell for parts.
  • The Vandercook #0 that was buried among piles of other stuff the guy with the two C&Ps was trying to sell.
  • The 8×12 New style C&P we bought at the May sale for $50 just to get the gear we needed.
  • The Vandercook #4 that I’d walked away from, at least twice. And yet it still managed to find its way to our home.

These presses are my creative army preparing for the work ahead, telling stories, sharing typographic expressions, and maybe open up new voices, new thoughts expressed in printed form.

These presses are my creative army preparing for the work ahead, telling stories, sharing typographic expressions, and maybe open up new voices, new thoughts expressed in printed form.

I think that maybe we’re a bit of a pied bunch ourselves: me, Steve and the presses. A bit mixed up. We’re all a bit colorful in our own histories. Whatever it turns out to be, I understand now that all of these presses have found their way home to the pied piper of printing. And together we’ll see what colorful stories we’ll print in the future.

Woman in Mexican dress with hat sits in the shade of the carved pillars of the Pyramid of the Moon

Visiting the Pyramids of the Sun and Moon. ©2018 Mara Jevera Fulmer

I was feeling nostalgic, and even a bit unsettled. In early 2012, just as I was preparing to go on a Fulbright scholarship trip to Russia, and was making the circuit of presentations for my doctoral work, Apple computer was making a serious update to their MobileMe platform. They were going to be shifting to iCloud and eliminating the iWeb software that had made it so easy to produce websites and blogs.

In the midsts of the swirl of activities in the late Winter/early Spring, I managed to have the presence of mind to archive five years of blog posts and podcasts to a corner of my computer for future attention. Unfortunately, events in life took a serious twist. In summary: I went to Russia, returned early due to my husband’s preliminary Stage IV cancer diagnosis, he died on 9/1/12 and I found myself redefined as a young(ish) widow at the age of 51, I finished my doctorate (10/2014), remarried in to my second husband (12/2014), welcomed a new grandson (12/2015), and built a new home (2015-present).

Needless to say, life has not stood still.

But for some reason, a trigger happened. I felt the need to reread these old posts, pull them over my head like a warm, cozy and familiar blanket. To close my eyes and step back a bit, remind myself where I was back then. The posts generally run from early 2006 to 2011 and cover the gamut, from art exhibitions and creative musings, to reflections on travel, being present, and just some funny thoughts. Overall, I enjoyed the time spent rereading and listening to these. They simultaneously gave me a sense of wunderlust and a firm grounding, a sense of being…where I am supposed to be.

Feel free to enjoy them at your leisure. – Old Blogs & Podcasts Revisited

Perry Road workshop after a spontaneous sleigh ride down the hill, a week ago. The sun was quickly melting a new fallen snow.

It was fortuitous that the workmen would come today (Friday, 3/1/13), the six-month anniversary of Keith’s passing. They moved up their starting day to remodel the master bathroom at home. The room had been a running joke in our lives, but also a sore spot Keith would ignore in favor of taking on other projects, commitments, or just going for a ride on the motorcycles. I admit that I enabled this. I much preferred to ignore it myself and go have fun, then to fight over it= and cause unrest in the house.

Yet there it was, in all it’s ugliness, the focus of which was the freezing shower with the cracked tiles, the shower door falling off its hinges, the moldy ceilings, etc. When I had packed up many of Keith’s things, I came across a drawing and notes he had made for remodeling this room. My own drawings were not too far off. The difference was the custom cabinet which I could not supply. And so other solutions would be needed. In the end, though, I was forced to make a last minute change, bumping the wall out into the bedroom about a foot so that the cabinet I ordered wouldn’t block the doorway. This was the part Keith would have customized, creating a slant to ease the entry while still allowing for the larger cabinet. But mine was 20 inches deep, and the wall next to the door was only 16. I could not put it tucked into the corner as planned. And I couldn’t move it over due to the toilet space needed. So the wall would be moved.

I listened as the guys smashed and cut away old fixtures and floors, while I worked on a paper in the cozy little cocoon I made of my bedroom behind plastic sheeting hanging from the ceiling.

It was exciting to start this project. Nearly 16 years after moving to Michigan, and about 15 years after moving into this house, that bathroom was always the target of my disgust. Cracked tiles, continuously moldy grout, shivering cold, a tiny vanity, all added up to a room that I just wanted to smash. It became a running joke (and point of terror) that when the kids misbehaved, they’d be threatened with scrubbing the shower tile in mom and dad’s bathroom.

A need to break something…
So when the guys showed up this morning and started the demolition, I asked them to give me a chance to smash something, just one thing to get out my frustration. I took aim at the soap dish, broken for the last three years where the mold had seeped into the crack and degraded the already cracked and ugly ceramic dish now hanging jagged out of the wall.

SMACK!! and crash, I swung the hammer at it with my eyes closed tight, the guys behind me cackling at the sound of the pieces hitting the tile floor of the shower. I was anything but satisfied. I was angry. Angry that it took 15 years and the death of my husband to get to this point. Angry that I was doing this on the 6 month anniversary of his passing. Angry at Keith for abandoning me. Angry at myself for feeling guilty about wanting the embrace of another man in Keith’s absence. Just plain angry at the world.

I handed the hammer back to Joe who shook his head still laughing at my overly dramatic swing, and so I managed to summon a smile in return. My last big assignment for a doctoral course was calling me. So I slipped through the plastic sheathing that hung between the work area and the rest of my bedroom, climbed back onto my bed where my iPad and reading sat waiting for my attention.

Counting down to the other side
Later that evening, after the workmen left, i let out a sob. Pent up emotion that needed a release. It lasted only a moment and then I went back to my work. But as the hour drew near, I had to stop and write in my diary… a countdown of sorts:

The countdown weighs heavily on my heart, 55 minutes, 54, 53, 52, 51… Keith died at 7:55 pm on September 1st, exactly 6 months earlier. Just a few days ago, visible in the pre-storm night sky, the nearly full moon loomed overhead, stars sparkling and taunting me in a bittersweet reminder of the date to come. But tonight, this last hour has been painful.

The other part of the remodel project ws to replace the vanity in the kids bathroom. Keith had made it and painted it with analine dyes a scene of seaweed and deep blue waters. Unfortunately, he hadn’t accounted for the doorframe trim and the kids were never able to pull the drawers out as far as intended on one side. I feared that any new owner of this house would simply pull the cabinet out and toss it. So I ordered an inexpensive white cabinet the same size and had the guys swap it out.

From my diary…

It’s 7:45 pm. 10 minutes before that moment when we knew Keith made his last breath… 6 months ago. Stassia is busy texting me about how much money she’s losing from her free trip to Florida. I try and restrain my impatience and simply remind her that it will all work out, I had planned to help her out anyway, knowing there would be some impact on her missing work. She has already been stressed due to a cutback of hours so I try not to feed her anxieties. I have enough of my own.

Four minutes now. I’m beginning to feel a little better. Time is passing quickly and I focus on the passage of this sad milestone which will put me on the other side of the hump between the first half of a year after he died, and the second half when looking forward should become more common than looking back.

I moved a photo I have of Keith that sat on my side of the bed. It was the one where he has that silly smirk on his face. But more often recently, that smirk has looked more like disapproval, and even hurt. I couldn’t face it any longer, at least not every moment when I sat on my side of the bed we used to share. I moved it over to “his” former side, the side where I keep my powder puff from crabtree and evelyn, and my button jar, the side where I moved my flickering lamp when I swapped it for his working lamp.

It’s 7:55 pm now. My heart sinks a bit. I have already shed some tears in exasperation. But the moment has passed. It’s time to move forward. I love you Keith. I will always love you. But I cannot live with the pain of your loss. I must live with the hope for a new future. Otherwise, my grief will consume me, a feeling I have occasionally faced in a depressive moment, ready to give up on going forward.

Moving forward…
Yes, the moment has passed, an inauspicious milestone. Six months to the minute since Keith died. I breathed deeply and tried to go back to my work, knowing I am not alone on this road. And that there are angels – or ghosts – who watch over me, too. My dreams, and those of a good friend, make that clear.

So now looking forward, I thank goodness for many things. For the friendships I have, my children who remind me why I cannot sink into despair. And the touchstone of a good counselor. And for a fulfilling career surrounded by interesting, supportive people…

And oddly enough, more recently, I am also thankful that, even if it does not grow into anything further (or I refuse to let it), there’s a little guy up north who is willing to talk to me, listens to my tears, and even then still calls me cutie, and offers me a virtual hug. We have never met, but I have grown more fond of him. Maybe it’s because at this point it is still fantasy. But, at the moment, I can live with that.

And the demolition begins, at home on Jerome Lane.

20121109-042017.jpgPhoto above: Etched into freshly poured concrete at the Perry Rd project – “In memory of Keith E. Fulmer, 9/1/12, The Dream lives on in us.”

Time marches on and I find the days go well as long as I keep busy. The election this week set me off on a cycle of late nights once again, and sleep eludes me until I can no longer hold my eyelids open. But, while I await the sandman’s arrival, I see Keith’s smile in the photo across from me, a little smirk that made dimples in his cheeks, a twinkle in his eyes that spoke a bit of mischief, a challenge. Of course these were mostly photos taken by others. For when I was the photographer, Keith would often challenge me with a bit more rebellion, and sometimes a crude gesture, all in fun. Or, I would have to work a bit harder to capture those moments when he had his guard down, was a bit more contemplative, unaffected by the camera. It made my role as family photographer a little more challenging, working around the self-consciousness that was sometimes awkwardly expressed.

My role as photographer shifted a little when we traveled, even more so when I traveled alone. As much as Keith traveled in the South Pacific – living in Fiji, working on the dive boat, or flying to Tonga or Vanuatu – he was still much more of a homebody. When we moved back stateside to Michigan, he would be willing to drive long distances, though often complained of pain in his shoulders from doing so. But as weird as it may sound from a guy who had his pilot’s license, he hated flying commercially. Can’t say as I blamed him. If I could avoid it, I would. But I had yet to find a way to beam myself to a conference destination. More than a few times Keith and the kids would join me when I went to a conference, or we would join Keith for one of his symposium destinations. It was great fun, though a little stressful at times. And I admit a little envy for having to miss out on the family fun while I sat inside at a conference event. Still, we managed to work in some quality time together when we drove to these places, using it as an opportunity to “see America”.

But during the times when either of us would travel alone, we would always come back with pictures to share with the other. In my case, I was fairly prolific looking at these photos as an opportunity to add to my photo library of memories and resources for future art projects.

When Keith’s diagnosis was nearly confirmed in early June this year, we sat down on the big leather sofa in the living room and, page by page, photo by photo, we revisited our lives together. It was during those early reminiscences that Keith expressed for the first time his thoughts about his life. The odds were not good, he knew that. Yet he was not giving up. But he was coming to terms with the reality of his foreshortened future.

So, as he looked back through those albums filled with the iconic images that defined our lives, I heard him say it. “I have no regrets. I have no regrets for how I have lived my life.” That didn’t negate that he was deeply saddened, depressed, or even angry at times about this turn of events. But it became the anthem upon which the rest of the family would rally. No regrets. Seqa ni rarawa.

We had often talked about certain travels we wanted to do together. St. Petersburg, Russia was one of those places we had agreed would be a place we wanted to see. When the possibility came about, and an invitation for a Fulbright to Ekaterinburg, Russia came in September 2011, my mouth dropped. Here was our chance to do this. But it soon became clear that there would be too many obstacles to overcome to have us both travel at this time. Keith’s work making custom furniture was growing, and he had several shows the following May (2012) and too many other things to prepare for. Besides, spending three weeks in Ekaterinburg while I was teaching, before heading to St. Petersburg, just seemed too daunting for Keith to overcome. So the plan evolved to where I would go alone, become acquainted with travel in Russia, even visit St. Petersburg on my own, and then in the future, we would go back there together.

I never made it to St. Petersburg, canceling that part of the trip when Keith’s illness turned into something more ominous than the flu we thought he couldn’t shake. But this summer I continued to take photos often to share with Keith the progress on Perry Road, or to show him something I needed to ask him about, or a special moment that I wanted to share with him. The photos continued to be part of the archive of our lives together.

But as the summer faded, and the progression of Keith’s cancer moved relentlessly towards its ultimate end, I began to question myself. Eleven days before Keith passed away, I contemplated this issue in my diary.

Diary Question….
8/21/12, 4:47 am

Who will the photos be for now?

Over the years, when Keith was unable (or unwilling) to travel, especially if the flights were long, I would take many photos to share with him. Before, they were film-based and thus I would get them hurriedly developed and printed upon my return. More recently, I used a blog and photos – with their basic descriptions – uploaded for him to see almost in real time.

I wonder, though, how much energy he had to look when I kept a blog up with photos on my recent Fulbright to Russia.

Now I wonder as I travel … who are the photos really for? My guess….the child yet unborn.

Why do I continue to take photos of the Perry Road project’s progress? Is it just to document a process of renovation?

Who are they for? Are they to fulfill some personal need to continue to chronicle what was begun before Keith died?

Do I continue to photograph it and the nature around it out of some sort of habit I cannot break?

That is what led me to write that question in my diary. Who are the photos for? What purpose do they serve?

I contemplate some potential answers…

Icons of life, artifacts of an experience, an effort to freeze time, or hold a moment completely still for perpetuity. Do they sadden me when I see them? Sometimes. For when I look at them, I can feel myself being transported to that moment, or an illusive memory of that moment in time, seen from the context of decades past.

They are the stories that should continue to be told to the next generation. They are part of my personal history, my own story, Keith’s stories. They speak volumes, without the details of a formal narrative. And since Keith is not here to tell his stories, then they will have to speak more for him, too. They will be part of a family’s history, told around the campfires of future cool autumn nights.

Here is another entry I found where I was contemplating the meaning of all those photos gathering on the shelf:

on a shelf…

…the photos all fit on the shelf down in the basement. Albums representing an entire family’s history fit under the coffee table. A few select photos, framed, hang on the walls, icons of a family life.

How do these tell our story? Is it how we wish to build our history? who will retell it to the next generation? or will the stories be lost?

The photos, all boxed up and mostly labeled, fit on a shelf in the basement, to become archaeological relics of a lifetime gone by. How will the new story be told? What new roads will we travel? and who will travel them? Who will join us? and who will leave us?

The photos, selected and still loose, sit stuffed into an album yet to be created, an album that captures snapshot moments of a life gone by, memories still fresh as the morning dew, 34 years in the making… a worn-out coffee table shelf holds a family’s history, ready to be retold during quiet moments of reflection, or when the urge to cry overcomes me and I desire to re-enter memories of a life gone by, a life well-lived, well-built of love, creativity, beauty, caring, family…

What life shall I build now?

— mjf, 9/19/12

Photo below: Large fungi grow off an old tree stump behind the workshop at Perry Road. I felt like Alice coming across this giant, waiting for a pipe-smoking caterpiller to show up.


So this will be my last post from Russia as I head home about a week earlier than planned due to a family emergency. This was decided last Friday, where I would finish my work for this Fulbright but cancel the “holiday” planned for St. Petersburg.

The last few days have been tremendously challenging. It is amazing how we have bonded and built new friendships, with students, new colleagues, heck even the wait staff at a little restaurant around the block recognized me (and think I’d only been in there twice before) as the American who sat over there with some friends. Guess lively conversations in English can be noteworthy in a city where few Americans have visited.

On Tuesday, my last meeting with my students was a celebration and also a little tearful. They are really sweet and kind and I truly have enjoyed getting to know each of their quirky personalities and a glimpse into their very bright minds. Each presenter was awarded with a Mott drawstring backpack. Most had already received t-shirts on the second day as a reward for meeting the first big deadline.

[note: any errors in identifying the students is all mine… my notes are packed and I’m working with a sleep-deprived brain. izvinyete]

Natalia Deryabina (I called “the happy one” but who is also a very talented writer)

Elena Filinkova (the “shy” one for her English was not as good as most of her classmates, but she made up for it with persistence!)

Sofia Nasyrova (my “intellectual” young lady, quiet but intense, great writing and a lovely smile)

Yana Yaskevich (my tall, shy late bloomer)

Alex Demyanenko (the only male, and my emcee for the reception entertainment)

Aleka Molokova (a very intelligent and gregarious young lady whose educator parents work in Boston)

Maria Kozlachkova (one of the youngest but very brave, talented and promising, she also sang for the reception)

Elena Mikryukova (a lovely young lady who shows a lot of promise)

Dasha Malova (a very talented writer and hardworking young woman who also helped translate and became the official photographer)

Olga Obvintseva (a mature and sophisticated writer who was a leader among my hardworking students)

The students also presented me with some special gifts… a two-volume set of Russian poetry passed on by the wife of the author, and some additional goodies that came straight from their heart to mine. I’ve asked the students to post their writings to their blogs. Some already have. You can find links to their blogs by visiting the new page I’ve added here.

A Papparazzi kind of day

Today, I finished my meetings with faculty and the department head and have promised to forward more curriculum resources… But my tired brain was fading after two hours of meetings and no sleep. So I turned in my grades, signed letters and headed back to the hotel for a rest, chauffered by Olga and also Julia (from my Ganina Yama and fireworks experiences). After a little rest, I enjoyed a lovely dinner with Natasha Chernyaeva, Sergey Krepotov (her husband), and their son Maxim, a lovely young man who was also a pleasure to meet. We ate in one of Ekaterinburg’s more upscale restaurants called, appropriately enough, Papparazzi.

I have many more stories to share than I have hours left before my flight. And it might be good to catch at least a little shut-eye before facing the clerks at the Aeroflot check-in. I will add more to this blog as time allows over the coming weeks, more as reflections upon my experience here.

In the meantime, as Ekaterinburg is still energized by the Russian hockey team’s tied game against Sweden tonight with cars driving round and round Lenin Prospekt with flags waving to drunken shouts, I leave you with a photo in the same spirit as I started.

This morning I had my first cultural experience attempting to exchange a few dollars for Roubles at the bank next to the hotel, you know the one featuring Bruce Willis on their posters out front. After negotiating their system whereby they rejected bills that showed any kind of mild wear (I was told that Russians returning from abroad will often iron their bills before exchanging them because the banks prefer “new”), we stepped out of the tiny secure room into the lobby where a nearly life size cut out of dear Bruce stood watch.

So here I am, saying goodbye to Bruce, and Dasvidanya (until we meet again) to Ekaterinburg.


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