Heavy leather belts begin to turn the wheels of the giant Columbia oscillating sander. Photo by author.
He was bobbing around laughing and smiling, his broad chested yet smallish stature accentuated by the 23,000 lbs of 19th century iron machinery that he was tweaking here and there to coax it back to life. It came from an era when the railroad industry was at its height, three drums of varying sandpaper oscillating to prepare the wood, and a fourth drum covered in brushes to clean it off and ready to use.
I sat there watching him, though surreptitiously as I was supposed to be doing my homework for my doctoral program. My books and iPad were perched upon the hand-built wooden table saw that the original owner of this post & beam furniture factory had built for himself complete with little victorian flourishes of details in the handles and guards.
But I just couldn’t help trying to keep track of my new beau Steve’s efforts as he climbed up on top of the giant Columbia sanding machine. Then he would hop down again to check the webbing of more large leather belts and their matching steel pulleys that would have made the machine turn its wheels back in the days of steam power.
I remembered when my husband Keith and I first bought this property, not even two years before. We bought it at first sight, a 20th Century post and beam building filled with many pieces of 19th and early 20th century heavy machinery all used to make furniture. An accomplished woodworker himself, Keith had planned to make it all his. Alas, the stars were aligned differently and he passed away from a very aggressive cancer barely a year after we purchased it leaving me, his widow, to sort out what to do with it all.
And then the stars sent Steve. I think KEITH sent Steve, perhaps after being horrified at my poor attempts to try and sell some of the tools I knew I would never use, but that had left me grifted by his own friend. Steve would become my protector. But perhaps in this case it was not that he had fallen in love only with me, I wondered sometimes. It was this place, where it seemed that many ghosts had congregated to protect the legacy of this old maker space.
I looked up and there was Steve, dancing around the machine grinning from ear to ear.
As I tried to go back to my homework on my table-saw desk, I heard the roar and rattle as the beast came to life. Keith had tried to do this before, but the belts were too loose and fell off within seconds. He never had the chance to go back and try again before his illness had progressed too far.
I looked up and there was Steve, dancing around the machine grinning from ear to ear. As I watched this elfish man jump around this iron giant, he went to one end of the machine where large wood panels would come out, fully sanded and brushed off, ready to use for railroad cars. I snapped a picture of him with the light behind him.
The ghosts that haunt me now. Photo by author.
Later that day I would look again at this photo only to catch my breath. There it was, a ghostly shadow of a slim man leaning over just behind Steve. Keith was there, cheering for the success of this rebirth of this giant, perhaps the last operational Columbia belt-driven panel sander left in the country I’d discovered after further research. I took this rebirthing as a sign that I should never take for granted that I am ever alone on this path. And to accept that my angels are never very far from me, despite the temptation to succumb to sadness. That death of my loved one is not an ending. But a new beginning.
– Mara Jevera Fulmer, February 18, 2026
The “K” at the end of the line. Photo by author.
The above prose was expanded from a 13-minute writing exercise during a six-week workshop offered by @LauraLentzWriter and her Literati Academy. The writers participating in this series are exploring their way through grief and the hero’s journey.
He was sitting on the floor, hanging onto my leg, deep fear palpable on his face reflecting the anxiety-ridden content of a note that I was now holding in one hand. My other hand was holding the beachouse phone, the only outside line at our location at this little backpack hostel owned by a friend of mine. I’d brought my students to Fiji, about 18 of them including another instructor who wanted to come along. My husband and oldest daughter among them. I’d been encouraged to design an international study tour to a place I’d lived and worked in, to bring these students from an urban community college in a rustbelt town to the tropical paradise in the middle of the South Pacific.
It was supposed to be a beautiful learning experience, but one also fraught with stress because I had other reasons for coming back. I still had a home here, friends, adopted family. And my immediate family ached to see them again after following the news of political unrest from the previous year. The evidence of that unrest was still apparent in the ruins and graffiti that covered an old lighthouse-turned-restaurant on the coast, outside the capital city.
Workshops had been arranged, visits to cultural sites scheduled, and a student interchange between my Flint students and the university journalism students in Fiji who’d been trying to do their work diligently throughout the turmoil of the previous year.
The group arrives at dawn. • Photo by author
Even an art exhibition was scheduled where my students would share their own conceptual self-portraits on the walls of the national museum, while also learning that week about the work of indigenous artists in the region.
But none of that mattered at the moment. It was only day 1 of the trip and Allan clung to my leg on the floor, fully engulfed in a nervous breakdown that would eventually break me down. The voice on the other end, his mother, sounded in my ear – “Life would be so much easier if I only had one son,” she said. Shocked by her words, I later would learn she was at that moment suffering the shattering of her own mental health.
My next moves were swift. I’d had the forethought to have students sign temporary healthcare POAs since the college I worked for was not yet prepared for overseas study tours at the time. And so I reached out to my old doctor on the island, explaining the situation. He quickly arranged for us to meet with the only psychiatrist in the country at his office near Suva, the capitol, over an hour and a half away. I called my friend, the owner of the beachouse, who’d been renting my home. And he quickly arranged for my dear student’s belongings to be moved to his own private room with a caregiver, a kind Fijian man who served as the gardener most days.
The rest of the trip moved ahead fairly well. His classmates rallied around Allan, including him when he seemed up to participating. And supporting him even after our return to the states. Two other students, Jimmy and Will, became very protective. Jimmy especially would check into the classroom on the days he knew Allan was supposed to be there to make sure he was doing okay.
But about six weeks after our return to Michigan, 9/11 occurred. My dear student had no support outside of school and so looked devastated when I had to tell him that the college was closing and he had to go home.
In the ensuing weeks, as we all struggled to regain some kind of equilibrium from this post-9/11 new world order, we missed the signs. One Friday, Jimmy came into my office to tell me he hadn’t seen Allan in class the day before. And just as Jimmy went back to work in the lab outside my office, my phone rang. It was Allan’s old girlfriend.
Her voice crumbled through the phone lines. “He’s shot himself,” I heard her say, just before I screamed myself – “SHIIIITTTTTT!!!!!” The rest of the details laid bare that he had fallen deeply into his psychosis in the weeks after 9/11 while struggling to complete his school work that included a post-travel piece of art.
His classmates came together again to mourn his loss, struggling to understand the depth of his pain. Later, I would be given his artwork, portfolios, and black books – sketchbooks where he’d plan out his graffiti art. It was among these pieces, I discovered where he was going with his final piece. And in a dream, I saw it completed and I made it so.
It took nearly a year to put together the final follow-up exhibition. Students struggled to redefine who they were post travel. But who were we after a trip to the other side of the world, meeting others who’d faced unrest in their own backyard? Some had come back thinking that maybe their own lives weren’t as bad by comparison, coming from the rough streets of this former bustling automotive factory town. But 9/11 turned everyone’s world upside down, seeing the attacks on our own country. And even the geographic distance from that horror shrunk further when weeks later, the students learned that their friend had given up on life and ended his.
One student came to me and said, “l’ll need to redo my post-trip self portrait. It’s too balanced, too static,” they said. Life had had too many twists and turns and they needed to reflect that balance as if on the edge of falling.
Beachside meditations • Photo by author
Looking back on this group of inveterate travelers from a quarter century ago, this old woman feels something not so much as grief, but awe. The healing gift of time has shown me that Allan’s nervous breakdown and death maybe weren’t bookends that defined a tragic legacy.
No. With a longer view, I can see it wasn’t a legacy with a tragic ending, after all. Instead, it was the launching of incredible maturing and growth by so many of his fellow students, now adults with established careers and grown children of their own. Longterm friendships were built, regardless of distance, connections that would endure through darkness and light. And most importantly, there was profound resilience.
Because life is a journey filled with triumphs and tragedies. And the only way to keep upright through it all at the edge of balance is to keep moving forward, knowing that – though we might not always see them – we are not traveling alone.
The above prose was expanded from a 13-minute writing exercise during a six-week workshop offered by @LauraLentzWriter and her Literati Academy. The writers participating in this series are exploring their way through grief and the hero’s journey.
When I was still a young child, I believed that if only I concentrated hard enough, I could move objects with my mind.
So intense was my thinking that I believed, with the help of physics, I could use my energy to stream my thoughts across space, like an invisible river of electrons, to push and lift and swirl whatever I wished into motion.
That child is still within me, pushing me to create magic. I’ve born the disappointment of each failure, briefly feeling unfulfilled in my relative objectives.
Not redirected but reinvigorated, I moved towards another subject and another and another…
Until I came to realize that I could indeed move people with my words, my music, my art.
It seemed to have a power all its own.
And I was simply the path that it followed.
The above prose was written as part of a 3-minute prompted exercise during a six-week workshop offered by @LauraLentzWriter and her Literati Academy. The writers participating in this series are exploring their way through grief and the hero’s journey.
We’d just begun a new chapter of being just the two of us again, children grown, new challenges and opportunities… after 34 years together, like young newlyweds, the world would be our oyster again hiding the pearl we knew would glimmer and shine its lustrous colors upon us. I’d rushed back from an overseas trip only to find myself now in charge of your healthcare.
And then you were gone.
So abrupt, from diagnosis to death in less than three months.
Crushed, angry, resentful for you having left me right when the adventures were getting even more interesting than the 30+ years before!
I restarted my studies, knowing that if I just immersed myself in the work I could hide away from my grief, ignore the wound in my heart. But by Christmas, I sat crying on the side of the bed…
I just. want. a hug.
I’d tried a dance class, a restorative process where I could lose myself in the movements, and connect to my grandmother, a dancer in her own day. You never wanted to dance with me… though there was that one last time. But still, the movements and the music began to heal me.
I don’t bite except on Tuesdays and Thursdays.
The dreams were so vivid that I looked forward to your visits. But the loneliness wouldn’t go away. Perhaps, if only there was someone, not one of our children, or friends, or anyone who knew you. Someone I could talk to who didn’t have your ghost to guide the conversations.
And then he reached out and I ignored him. Each week he’d check in. “I don’t bite except on Tuesdays and Thursdays,” he wrote. And I finally couldn’t stifle the laugh. The nerve, I thought. So we wrote to each other, first just a couple of times a week, then every day, and then we’d talk all night.
“I wish I could dance with you, ya know,” he wrote offering to join me in a dance class when he visited. It became our connection. He was awful at it, and I loved him for it anyway.
As we shared our stories with each other I realized it wasn’t just my tears that were falling for the one I’d lost. He cried for it, too, a life of wonder and adventure that he hoped to build with me.
And then… we did.
The above prose was written as part of a 13-minute writing exercise during a six-week workshop offered by @LauraLentzWriter and her Literati Academy. The writers participating in this series are exploring their way through grief and the hero’s journey.
This is an icon I created when working in Fiji. It was one of 24 icon-style illustrations with Pacific themes. Being my favorite, I adopted this one as a psuedo-logo.