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Sometimes angels come when you really need them. They’re not always in the form you might expect, nor does their form always remain constant. Yet I have seen them recently, a brilliant smile that says I’m here if you need me, a flash of hope for young futures full of promise. The shedding of unplanned tears when a damn bursts, complete and generous patience from a stranger – now new friend – who feels your pain.

There were joyful noises emerging from the workshop this weekend at Perry Road. They were not without a few tears of grief. But the spirit of Keith was so strong it was like he was in the room, providing pointers, guidance, and not least a bit of wise-ass humor. While two of Keith’s closest woodturning buddies took on the task of dismantling the giant 1870s-era band saw, a crescent moon hung over the sky as the sun set deep on the horizon. The cheshire grin hung brightly over the shop and the hillside, reflecting off the ponds below. It seemed that silly grin shining through the bare trees, witnessed the laughter and goodnatured ribbing going on inside as the guys tried to break down the 2000 lb machine into smaller less dangerous pieces.

Yet every now and then, as it seemed like they were about to push the limits of safety, and shorten their AARP memberships, it felt like there was a virtual tap on my shoulder and I would feel compelled to suggest a safer approach. Maybe take off the 20 ft blade? How about removing the 2 giant wheels? Yes, that 8-blade dado attached to the same massive motor probably could come off, too. Piece by piece, the beast was carefully disassembled and its parts laid out where they could be recovered again for the trip to Tawas.

All the while that this was going on, there seemed to be energetic angels in the form of two of my students who had cheerfully volunteered to assist in this endeavor. One young lady, one young man, they each drew from a fountain of youthful strength and goodnatured attitudes that kept up with the joyful noises emerging from around the workshop. Loading all of the woodturning lumber into the 14-ft U-Haul, this was a thankless task as the lumber was in odd shaped chunks that only nature could endure. And every now and then, but especially at the end, they would stop and help with the big cast iron beast that the old guys were trying to move.

It wasn’t easy. But it took all four of them to finally manage to move the giant iron horse-shoe that was left after the rest of the pieces were removed, and shimmy it over to the tailgate of the U-Haul before tipping it into the truck. Before long, it was wedged in tight and packed around with all the lumber, ready to make its trip up north for refurbishing and reassembly. We all sighed in collective relief and shared a few more laughs as I reinforced that it could not be returned and all pieces attached to that beast must go with it!

The week had not been so good up until then. I’m not entirely sure I can put my finger on it. But it began early in the week. Maybe the fact that it was the week before Thanksgiving, a holiday that Keith always seemed to look forward to, getting the chance to show off how he could deep fry a turkey. That was a somewhat new tradition from only the past few years. But it had worked out so I could have the oven for other things, and it tasted good, too! But this year obviously things would be different.

Maybe it was my suffering lack of sleep. I haven’t yet found a way to get to sleep much before 2 am, and in the last few weeks, it has slipped to 3 or even 4 am at which point I know my day will be less than productive.

Or, maybe it was the combination of dealing with the mid-term stresses of students, or being reminded of how fragile life is by the absence of another student due to her mom’s brain cancer. Or, dealing with the banks on matters related to Keith’s accounts. Or reminiscing during a meeting with one of Keith’s best clients, an interior designer who came to the house upon my request to talk about remodeling bathrooms and the kitchen so that I could enjoy them, but also be ready if I ever want to sell the house. Or even the unnerving apprehension about the visit by Keith’s woodturning buddies. This was to be the first real sale of any of Keith’s personal effects and at one point I almost chickened out before they had even arrived. I wasn’t sure I’d be ready to deal with it, or them.

As it turns out, they were as nervous as I was. So was the interior designer. It seems that they were all mourning, too, and to come here, to Keith’s house, or Keith’s shop was hard for them, too. More than once, I could hear the crack of an unsteady voice that wasn’t mine, or see the reflection of tears barely being held back. It was comforting, in a way, to know that I shared Keith with so many others who cared for him very deeply. And here they were, moving through their own pain, to revisit these memories, and be so supportive at the same time.

Thursday I called in sick. I could feel the jitters of nerves too close to the surface. So I tried to rest and regroup. By early afternoon I finally ventured out to visit a church turned into an Art Gallery. How ironic? But as I sat there and attempted to start talking to the artist about my ideas for a memorial piece for Keith, I suddenly couldn’t speak and instead broke down crying. Here was a complete stranger and she was so very sweet and genuine in her support.

Once I recovered, we went on to talk about my ideas and also how Keith had always admired what she’d done to the building he once wanted to buy, but couldn’t afford at the time. While Perry Road was truly the dream shop for him, he had often driven by this church on the hill and expressed how if it ever came up for sale, it would make a great gallery. Sure enough, it did. The artist sitting across from me said that now she felt the pressure to do well by the project more than ever knowing how Keith had admired and even envied her having that building. She’d done a beautiful job renovating it and it felt very much like a beautiful and spiritual homage to creative work. Keith would have approved.

So when I woke up this morning after yet another late night, I no longer felt as stressed as I’d been all week. The woodturning lumber and giant bandsaw were on their way to Tawas, the memorial art piece was well-planned, some designs for the Jerome Lane house have been measured for, and even Sweet Pea, my Russian Wolfhound, has a new hairdo after being completely shaved of her matted and neglected fur, and groomed to a new sleeker look. I did a full set of yoga this morning and pursued getting work done for my doctoral class and later writing a lecture on Fiji Art for an Art Survey course I was subbing for Monday. By mid-day, I thought it best if I stopped to plan and then shop for Thanksgiving.

It was a productive day in spite of the fact that I write this after 3 am. The new normal is becoming fixed.

I still talk to Keith. There’s a new photo I printed where I’d cropped out the rest of the scene on the Beachouse cafe’s deck, where he was sitting looking back at the camera over his shoulder, a bit of a smirk on his face. He’s looking straight at the camera and I cannot help but think that he is still there… on the other side… ready to send new angels when I need them most.

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The photo above shows the gang moving the 1870s-era band saw, stripped down to its last 1000 lbs of cast iron. A crescent moon hangs in the branches of the trees, smiling its cheshire grin, as if Keith was adding his own smile of approval to the joyful noises that emerged from the hillside workshop.

20121109-042017.jpgPhoto above: Etched into freshly poured concrete at the Perry Rd project – “In memory of Keith E. Fulmer, 9/1/12, The Dream lives on in us.”

Time marches on and I find the days go well as long as I keep busy. The election this week set me off on a cycle of late nights once again, and sleep eludes me until I can no longer hold my eyelids open. But, while I await the sandman’s arrival, I see Keith’s smile in the photo across from me, a little smirk that made dimples in his cheeks, a twinkle in his eyes that spoke a bit of mischief, a challenge. Of course these were mostly photos taken by others. For when I was the photographer, Keith would often challenge me with a bit more rebellion, and sometimes a crude gesture, all in fun. Or, I would have to work a bit harder to capture those moments when he had his guard down, was a bit more contemplative, unaffected by the camera. It made my role as family photographer a little more challenging, working around the self-consciousness that was sometimes awkwardly expressed.

My role as photographer shifted a little when we traveled, even more so when I traveled alone. As much as Keith traveled in the South Pacific – living in Fiji, working on the dive boat, or flying to Tonga or Vanuatu – he was still much more of a homebody. When we moved back stateside to Michigan, he would be willing to drive long distances, though often complained of pain in his shoulders from doing so. But as weird as it may sound from a guy who had his pilot’s license, he hated flying commercially. Can’t say as I blamed him. If I could avoid it, I would. But I had yet to find a way to beam myself to a conference destination. More than a few times Keith and the kids would join me when I went to a conference, or we would join Keith for one of his symposium destinations. It was great fun, though a little stressful at times. And I admit a little envy for having to miss out on the family fun while I sat inside at a conference event. Still, we managed to work in some quality time together when we drove to these places, using it as an opportunity to “see America”.

But during the times when either of us would travel alone, we would always come back with pictures to share with the other. In my case, I was fairly prolific looking at these photos as an opportunity to add to my photo library of memories and resources for future art projects.

When Keith’s diagnosis was nearly confirmed in early June this year, we sat down on the big leather sofa in the living room and, page by page, photo by photo, we revisited our lives together. It was during those early reminiscences that Keith expressed for the first time his thoughts about his life. The odds were not good, he knew that. Yet he was not giving up. But he was coming to terms with the reality of his foreshortened future.

So, as he looked back through those albums filled with the iconic images that defined our lives, I heard him say it. “I have no regrets. I have no regrets for how I have lived my life.” That didn’t negate that he was deeply saddened, depressed, or even angry at times about this turn of events. But it became the anthem upon which the rest of the family would rally. No regrets. Seqa ni rarawa.

We had often talked about certain travels we wanted to do together. St. Petersburg, Russia was one of those places we had agreed would be a place we wanted to see. When the possibility came about, and an invitation for a Fulbright to Ekaterinburg, Russia came in September 2011, my mouth dropped. Here was our chance to do this. But it soon became clear that there would be too many obstacles to overcome to have us both travel at this time. Keith’s work making custom furniture was growing, and he had several shows the following May (2012) and too many other things to prepare for. Besides, spending three weeks in Ekaterinburg while I was teaching, before heading to St. Petersburg, just seemed too daunting for Keith to overcome. So the plan evolved to where I would go alone, become acquainted with travel in Russia, even visit St. Petersburg on my own, and then in the future, we would go back there together.

I never made it to St. Petersburg, canceling that part of the trip when Keith’s illness turned into something more ominous than the flu we thought he couldn’t shake. But this summer I continued to take photos often to share with Keith the progress on Perry Road, or to show him something I needed to ask him about, or a special moment that I wanted to share with him. The photos continued to be part of the archive of our lives together.

But as the summer faded, and the progression of Keith’s cancer moved relentlessly towards its ultimate end, I began to question myself. Eleven days before Keith passed away, I contemplated this issue in my diary.

Diary Question….
8/21/12, 4:47 am

Who will the photos be for now?

Over the years, when Keith was unable (or unwilling) to travel, especially if the flights were long, I would take many photos to share with him. Before, they were film-based and thus I would get them hurriedly developed and printed upon my return. More recently, I used a blog and photos – with their basic descriptions – uploaded for him to see almost in real time.

I wonder, though, how much energy he had to look when I kept a blog up with photos on my recent Fulbright to Russia.

Now I wonder as I travel … who are the photos really for? My guess….the child yet unborn.

Why do I continue to take photos of the Perry Road project’s progress? Is it just to document a process of renovation?

Who are they for? Are they to fulfill some personal need to continue to chronicle what was begun before Keith died?

Do I continue to photograph it and the nature around it out of some sort of habit I cannot break?

That is what led me to write that question in my diary. Who are the photos for? What purpose do they serve?

I contemplate some potential answers…

Icons of life, artifacts of an experience, an effort to freeze time, or hold a moment completely still for perpetuity. Do they sadden me when I see them? Sometimes. For when I look at them, I can feel myself being transported to that moment, or an illusive memory of that moment in time, seen from the context of decades past.

They are the stories that should continue to be told to the next generation. They are part of my personal history, my own story, Keith’s stories. They speak volumes, without the details of a formal narrative. And since Keith is not here to tell his stories, then they will have to speak more for him, too. They will be part of a family’s history, told around the campfires of future cool autumn nights.

Here is another entry I found where I was contemplating the meaning of all those photos gathering on the shelf:

on a shelf…

…the photos all fit on the shelf down in the basement. Albums representing an entire family’s history fit under the coffee table. A few select photos, framed, hang on the walls, icons of a family life.

How do these tell our story? Is it how we wish to build our history? who will retell it to the next generation? or will the stories be lost?

The photos, all boxed up and mostly labeled, fit on a shelf in the basement, to become archaeological relics of a lifetime gone by. How will the new story be told? What new roads will we travel? and who will travel them? Who will join us? and who will leave us?

The photos, selected and still loose, sit stuffed into an album yet to be created, an album that captures snapshot moments of a life gone by, memories still fresh as the morning dew, 34 years in the making… a worn-out coffee table shelf holds a family’s history, ready to be retold during quiet moments of reflection, or when the urge to cry overcomes me and I desire to re-enter memories of a life gone by, a life well-lived, well-built of love, creativity, beauty, caring, family…

What life shall I build now?

— mjf, 9/19/12

Photo below: Large fungi grow off an old tree stump behind the workshop at Perry Road. I felt like Alice coming across this giant, waiting for a pipe-smoking caterpiller to show up.

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